Born in 1972 in Kanagawa, Japan, Hirosuke Yabe developed an early fascination with the human condition, a theme that would become central to his artistic practice. He pursued a Bachelor of Fine Arts in Sculpture at Tokyo Zokei University of Art and Design in 2002 and continued as a research student in 2004, refining his approach to wood sculpture. Yabe’s work is deeply rooted in his contemplation of human nature, continuously exploring fundamental questions such as “What is it to be human?” and “What is a human being?” Through his sculptures, he attempts to capture the complexities, contradictions, and subtleties of life. Primarily working with chisels and natas (traditional Japanese hatchets), Yabe carves zelkova wood as well as repurposed materials from demolished traditional Japanese structures, some over a century old. His choice of material is both a homage to Japan’s cultural heritage and a reflection of the impermanence of life. Despite addressing profound existential themes, Yabe’s sculptures adopt a cute, whimsical aesthetic, offering a contrast to the multifaceted nature of human existence.
The devastating events of recent years have significantly influenced Yabe’s practice, imbuing his work with a sense of observation and quiet reflection. His sculptures function as a visual diary, capturing the beauty, dilemmas, and contradictions of everyday life. His approach allows his work to transcend cultural boundaries and speak to the universal human experience. Yabe has exhibited widely in both solo and group exhibitions across Japan, Europe, and the United States. His solo exhibitions include showcases at t-gallery, Tokyo (2016, 2018), Cindy Rucker Gallery, New York (2018), and Tennouzu Central Tower, Tokyo (2014, 2015). His group exhibitions span international venues such as CONRADS, Düsseldorf (2019), Cob, London (2018), and Goethe-Institut, Tokyo (2011). His work has earned significant recognition, including The 10th Taro Okamoto Award for Contemporary Art (2007) and the Grand Prize at the 1st Daikokuya Contemporary Art Raise Exhibition (2006). His pieces are also part of esteemed collections, including Itamuro-Onsen-Daikokuya, Tochigi, and Jorge Pérez’s collection.
Now based in Yokohama, Japan, Yabe continues to develop his unique sculptural practice, using his art as a means of storytelling and reflection. Through his carefully crafted wooden figures, he invites viewers into a world where the whimsical meets the profound, offering a nuanced perspective on the human condition.
